![]() Enfants de survivants et survivants-enfants, A. Schulte Nordholt, ed., Amsterdam, Rodopi, 2008. Témoignages de l’après-Auschwitz dans la littérature juive-française.2, July 2006. A. Schulte Nordholt, Guest editor (pp. Writing the Memory of the Shoah at the Turn of the Century’, special section of the Journal of Modern Jewish Studies, Vol.La génération d’après et la mémoire de la Shoah, Amsterdam, Rodopi, 2008, 335 pp. Translating Transition: The Politics of Nostalgia and Provincialization in Antjie Krog's A Change of Tongue and Begging to Be Black, Tijdschrift voor Nederlandse Taal- en Letterkunde 131(4) 2015: 323-338. Leiden, Boston: Brill/ Rodopi., 2016, 222-240.Įrinnerung als Waffe der Dekolonialisierung: Kunst und StudentInnen-Bewegung im heutigen Südafrika, Peripherie: Politik, Ökonomie, Kultur 144(01) 2016: 432-454 van (Eds.) Peripheral Visions in the Globalizing Present: Space, Mobility, Aesthetics. no. Shaping “Common Places”: Post-Soviet Narratives beyond Anti-Utopia in Ksenia Buksha’s The Freedom Factory and Igor Saveljev’s Tereshkova is Flying to Mars. ![]() ‘Anything is Possible’: Rethinking the Politics of Transition through a Poetics of Failure in the Works of William Kentridge and Dmitry Gutov, Third Text : 1-17, 2017.Pietermaritzburg: University of KwaZulu-Natal Press, 2015 Conversations of Motherhood: South African Women's Writing Across Traditions.Leiden/Boston: Brill 2013 (co-edited with Erika Kuijpers, Johannes Müller, Judith Pollmann and Jasper van der Steen). Memory before Modernity: Practices of Memory in Early Modern Europe. Kyoto: Shibunkaku shuppan, 196-226 (in Japanese)Įxile Memories and the Dutch Revolt. Piratical View of the World History: A Reversed Perception of the Order of Things. Surviving as an Avant-Gardist: A Piratical Study on Kudô Tetsumi. Whereabouts of “Contemporary Japanese Art” in World Art History: A Comparative Study of Art Criticisms in English and Japanese. Dave Eggers and Arnon Grunberg on Globalisation and Media’. Yra van Dijk and Stephan Besser, ‘Kafka on the Gulf’. Media-technologie in Cola Debrots Mijn zuster de negerin. Yra van Dijk, 2016, ‘Een kruiwagen vol benzine. In: Rick Honings, Lotte Jensen en Olga van Marion (red.), Schokkende boeken. ‘‘De barbaren zijn wij! Over Gstaad 95-98 van Arnon Grunberg’. In: Vic van de Reijt (red.): Ich will doch nur das ihr mich liebt. Afstand en betrokkenheid in de romans van Arnon Grunberg’. In the John Benjamins Press Series on Histories of Literatures in European Languages. History and memory in European digital literature’, in: Marcel Cornis-Pope, Literature and Multimedia in late 20th and 21st Century Europe. Afgrond zonder Vangnet: Liefde en Geweld in de Romans van Arnon Grunberg.Bertens L.M.F., “The EUWATHER Project: Optimizing the Interplay between Database and Narrative”, submitted (2017) to Digital Humanities Quarterly.Bertens L.M.F., “‘Doing’ memory – an exploration of performativity in Cardiff and Bures Miller’s Alter Bahnhof video walk”, accepted (2017) for publication in Holocaust Studies.(2017), “Okay ladies, now let’s get in formation!”: Music Videos and the Construction of Cultural Memory, Open Cultural Studies 1(1). Collaborations with institutions such as the Anne Frank Stichting, het Stedelijk Museum and POLIN (Warsaw), assures a permanent exchange between theoretical investigation and practical and institutional production of Cultural Memory. Through international collaboration with museums and sites of commemoration, and public lectures and publications in popular media, we contribute to a broader societal understanding of memory work. Our research is disseminated through teaching, among others in the courses taught within the Minor ‘Cultural Memory of War and Conflict’. Memory of authoritarian regimes and of transitions The main areas of our current research are:ĭigital memory and memory in digital arts The interaction between cultural heritage, memory and identity is approached by analysing media such as literature, visual arts, film, digital media, archives and museums. nostalgia, memory of transition, trauma and celebrity studies we investigate this relation between memories and identities. Furthermore, we study how the past is engaged with as a resource in building or criticizing national and transnational communities.
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